Visual Artist: Mariko Mori

via: mori

Notes:

From the perspective of a critical philosophy that seeks the a priori conditions of aesthetic judgment, Mariko Mori’s work discloses a synthesis of the sensible and the supersensible that invites what I term “purposiveness without purpose.” Her installations—whether a luminous, other-worldly sculpture or an immersive environment of sound and light—present forms whose beauty cannot be reduced to mere empirical delight. They compel the free play of imagination and understanding, arousing a feeling of harmony between our faculties that is the very essence of the judgment of taste. Mori’s art, in its ethereal clarity and technological refinement, seems to suspend the distinctions between nature and artifice, inviting the beholder to contemplate the Idea of a world beyond mere appearance.

Yet Mori’s practice also engages the sublime, that which exceeds the capacity of sensibility and forces reason to recognize its own supersensible vocation. Works such as Wave UFO or Dream Temple envelop the spectator in a cosmic ambience, wherein infinite space and radiant color point beyond the limits of empirical intuition. Here the viewer encounters not the agreeable but the overwhelming, and in this very excess discovers the moral destiny of reason itself. The technological apparatus—laser, fiber optics, and digital projections—serves not as mere novelty but as a medium through which the mind senses its own independence from nature’s determinate forms.

Finally, Mori’s synthesis of ancient spiritual motifs with cutting-edge technology exemplifies a regulative ideal of universal community. By uniting Shinto, Buddhist, and futuristic imagery, she gestures toward a cosmopolitan harmony of cultures and epochs, reminding us that aesthetic experience can ground a moral commonwealth. Her art does not dictate doctrine; rather, it elicits the disinterested pleasure that awakens respect for the moral law within. Thus, judged by the principles of a critical aesthetic, Mariko Mori’s oeuvre stands as a modern manifestation of reason’s drive to reconcile the phenomenal and the noumenal, offering an experience both sensuously radiant and philosophically profound.

- RJG // AI