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Raishad J Glover

  • Preview
  • + Oeuvre
    • Botanical Collage (Study)
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Glover Research Archive


This page serves as a visual archive intended for research purposes on both historical and contemporary visual artists and digital designers. Visitors can also access this information on www.raishadjglover.org or the Raishad J Glover Social Media Page. Thank you for exploring and enjoy your viewing experience.

Disclaimer: Some content in the notes section has been generated by artificial intelligence.


Featured posts


Preview
IMG2+garden.jpg
about a week ago
Rcube2cpreview.jpg
about a week ago
mirror+privew.jpg
about a week ago
image-asset.jpg
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chair+a.jpg
about a week ago
cstation.jpg
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IMG2+cube.jpg
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about 5 years ago
IMG5a.jpg
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about a month ago

Instagram


“De wata remember de hand weh stir um.” & “Yuh cyan rush time — time raise all t’ing.” 25” x 18”
“De wata remember de hand weh stir um.” & “Yuh cyan rush time — time raise all t’ing.” 25” x 18”
"Waa'kin Path Een Smith Gaaden" 36″ x 42″ UV curable pigment on mirror acrylic
"Waa'kin Path Een Smith Gaaden" 36″ x 42″ UV curable pigment on mirror acrylic
Kiyomi and I playing improve on this beautiful snow day 😊
“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
Winter/Spring work in progress photography and botanical collage series
Winter/Spring work in progress photography and botanical collage series
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
RJG Studio: Late night session
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..

@highlight
Details from two different series/albums of previous work.. @highlight
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Playing with our new Holiday Instruments.
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
This week, working on new series, Botanical Collage + Gullah text projects
This week, working on new series, Botanical Collage + Gullah text projects
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
Experimenting with SORA2
Previous series WIP
Previous series WIP
RJG Studio 9/6/25

Visual Artist: Raul de Lara

August 22, 2024

via: lara

Notes:

Raul de Lara is an emerging artist known for his sculptural works that explore themes of identity, culture, and the human experience through an often surreal and imaginative lens. His use of organic materials, such as wood, alongside bold, playful forms gives his sculptures a distinctive character that blurs the line between the familiar and the fantastical. De Lara's work is deeply rooted in personal and cultural narratives, often referencing his Mexican heritage. This blend of cultural storytelling with contemporary techniques allows him to create pieces that feel both intimate and universal. His sculptures frequently embody a sense of movement and fluidity, which is particularly striking given the solidity of the materials he uses.

One of the most compelling aspects of De Lara’s work is his ability to infuse humor and a sense of playfulness while tackling serious themes. His sculptures often incorporate anthropomorphic elements, exaggerating human and animal forms in a way that is both whimsical and thought-provoking. This duality—balancing humor with deeper existential questions—is one of De Lara’s strengths as an artist. However, while his playful approach is refreshing, there are moments where the whimsy may overshadow the more nuanced commentary embedded in his work. This can occasionally result in a tension where the visual appeal of the sculptures risks being the primary takeaway, leaving the thematic exploration somewhat underdeveloped.

In critique, while Raul de Lara's craftsmanship and creative vision are undoubtedly impressive, his work can sometimes feel more style-focused than substance-driven. The artist’s reliance on visual quirks and exaggerated forms could be seen as limiting in terms of long-term thematic evolution. As he continues to develop his practice, it will be interesting to see whether he leans more into the conceptual depth hinted at in his current body of work or if the aesthetic components continue to dominate. Despite this, his ability to evoke strong emotional and sensory reactions in the viewer is a clear testament to his talent, marking him as an artist to watch in the contemporary art scene.

- RJG

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