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Raishad J Glover

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Glover Research Archive


This page serves as a visual archive intended for research purposes on both historical and contemporary visual artists and digital designers. Visitors can also access this information on www.raishadjglover.org or the Raishad J Glover Social Media Page. Thank you for exploring and enjoy your viewing experience.

Disclaimer: Some content in the notes section has been generated by artificial intelligence.


Featured posts


Preview
IMG2 garden.jpg
about 10 months ago
Rcube2cpreview.jpg
about 2 years ago
mirror privew.jpg
about a year ago
about a year ago
chair a.jpg
about 4 months ago
cstation.jpg
about a year ago
about a year ago
about a year ago
IMG2 cube.jpg
about 10 months ago
Medulla-1BLKWHT.gif
about 5 years ago
IMG5a.jpg
about 5 years ago
IMG1a.jpg
about 5 years ago
IMGspace.jpg
about 5 years ago
IMG3a.jpg
about 5 years ago
Artist+Statement+26.jpg.jpg
about 2 weeks ago

Instagram


“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
Winter/Spring work in progress photography and botanical collage series
Winter/Spring work in progress photography and botanical collage series
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
RJG Studio: Late night session
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..

@highlight
Details from two different series/albums of previous work.. @highlight
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Playing with our new Holiday Instruments.
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
This week, working on new series, Botanical Collage + Gullah text projects
This week, working on new series, Botanical Collage + Gullah text projects
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
Experimenting with SORA2
Previous series WIP
Previous series WIP
RJG Studio 9/6/25
Late night live session in the studio. Preliminary study for my Typography Botanical Collage series.
Late night live session in the studio. Preliminary study for my Typography Botanical Collage series.
Back in studio from @701cca residency
Back in studio from @701cca residency
Well.. it's about that time to reflect and share. Please feel free to stop by @701cca for my last 2 days of Open Studio within the gallery space during my Artist in Residence. The Gallery // Studio will be open this Sunday and Monday from 5pm-7pm. Br
Well.. it's about that time to reflect and share. Please feel free to stop by @701cca for my last 2 days of Open Studio within the gallery space during my Artist in Residence. The Gallery // Studio will be open this Sunday and Monday from 5pm-7pm. Bring a friend and hope to see you in the space. -Shad

Visual Artist: Marc Quinn

June 24, 2024

via: quinn

Notes:

Marc Quinn, a contemporary British artist, has gained significant attention for his provocative and often controversial works that delve into themes of identity, existence, and the human body. His most iconic pieces, such as "Self," a series of self-portraits made from his own blood, push the boundaries of traditional art forms and challenge viewers to confront their own perceptions of life and mortality. Quinn's use of unconventional materials and methods is both innovative and daring, allowing him to create artworks that are deeply personal yet universally resonant. His ability to blend scientific exploration with artistic expression sets him apart in the contemporary art scene, making his work thought-provoking and influential.

However, Quinn's work is not without its critics. Some argue that his reliance on shock value and sensationalism can overshadow the deeper messages he attempts to convey. For instance, his sculpture "Alison Lapper Pregnant," which depicts the artist Alison Lapper who was born without arms, has been praised for its bold statement on disability and beauty, yet it also faced criticism for potentially exploiting Lapper's condition for artistic gain. This dichotomy raises questions about the ethical boundaries of art and whether Quinn's approach sometimes crosses the line into exploitation rather than celebration. Additionally, his later works, which often incorporate themes of celebrity culture and consumerism, have been critiqued for lacking the same depth and originality that characterized his earlier pieces.

Despite these controversies, Quinn's impact on the art world is undeniable. His willingness to tackle difficult and often taboo subjects has opened up important dialogues about the human experience, encouraging audiences to confront uncomfortable truths and engage in meaningful reflection. Quinn's contributions to contemporary art are significant, as he continues to push the limits of what art can be and do. His work challenges viewers to reconsider their assumptions about the body, identity, and the nature of art itself, making him a vital and provocative figure in the modern art landscape.

- RJG

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