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Raishad J Glover

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  • + Oeuvre
    • Botanical Collage (Study)
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Glover Research Archive


This page serves as a visual archive intended for research purposes on both historical and contemporary visual artists and digital designers. Visitors can also access this information on www.raishadjglover.org or the Raishad J Glover Social Media Page. Thank you for exploring and enjoy your viewing experience.

Disclaimer: Some content in the notes section has been generated by artificial intelligence.


Featured posts


Preview
IMG2+garden.jpg
about a week ago
Rcube2cpreview.jpg
about a week ago
mirror+privew.jpg
about a week ago
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about a week ago
chair+a.jpg
about a week ago
cstation.jpg
about a week ago
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IMG2+cube.jpg
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Medulla-1BLKWHT.gif
about 5 years ago
IMG5a.jpg
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about a month ago

Instagram


“De wata remember de hand weh stir um.” & “Yuh cyan rush time — time raise all t’ing.” 25” x 18”
“De wata remember de hand weh stir um.” & “Yuh cyan rush time — time raise all t’ing.” 25” x 18”
"Waa'kin Path Een Smith Gaaden" 36″ x 42″ UV curable pigment on mirror acrylic
"Waa'kin Path Een Smith Gaaden" 36″ x 42″ UV curable pigment on mirror acrylic
Kiyomi and I playing improve on this beautiful snow day 😊
“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
Winter/Spring work in progress photography and botanical collage series
Winter/Spring work in progress photography and botanical collage series
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
RJG Studio: Late night session
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..

@highlight
Details from two different series/albums of previous work.. @highlight
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Playing with our new Holiday Instruments.
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
This week, working on new series, Botanical Collage + Gullah text projects
This week, working on new series, Botanical Collage + Gullah text projects
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
Experimenting with SORA2
Previous series WIP
Previous series WIP
RJG Studio 9/6/25

Visual Artist: Marc Quinn

June 24, 2024

via: quinn

Notes:

Marc Quinn, a contemporary British artist, has gained significant attention for his provocative and often controversial works that delve into themes of identity, existence, and the human body. His most iconic pieces, such as "Self," a series of self-portraits made from his own blood, push the boundaries of traditional art forms and challenge viewers to confront their own perceptions of life and mortality. Quinn's use of unconventional materials and methods is both innovative and daring, allowing him to create artworks that are deeply personal yet universally resonant. His ability to blend scientific exploration with artistic expression sets him apart in the contemporary art scene, making his work thought-provoking and influential.

However, Quinn's work is not without its critics. Some argue that his reliance on shock value and sensationalism can overshadow the deeper messages he attempts to convey. For instance, his sculpture "Alison Lapper Pregnant," which depicts the artist Alison Lapper who was born without arms, has been praised for its bold statement on disability and beauty, yet it also faced criticism for potentially exploiting Lapper's condition for artistic gain. This dichotomy raises questions about the ethical boundaries of art and whether Quinn's approach sometimes crosses the line into exploitation rather than celebration. Additionally, his later works, which often incorporate themes of celebrity culture and consumerism, have been critiqued for lacking the same depth and originality that characterized his earlier pieces.

Despite these controversies, Quinn's impact on the art world is undeniable. His willingness to tackle difficult and often taboo subjects has opened up important dialogues about the human experience, encouraging audiences to confront uncomfortable truths and engage in meaningful reflection. Quinn's contributions to contemporary art are significant, as he continues to push the limits of what art can be and do. His work challenges viewers to reconsider their assumptions about the body, identity, and the nature of art itself, making him a vital and provocative figure in the modern art landscape.

- RJG

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