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Raishad J Glover

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Glover Research Archive


This page serves as a visual archive intended for research purposes on both historical and contemporary visual artists and digital designers. Visitors can also access this information on www.raishadjglover.org or the Raishad J Glover Social Media Page. Thank you for exploring and enjoy your viewing experience.

Disclaimer: Some content in the notes section has been generated by artificial intelligence.


Featured posts


Preview
IMG2 garden.jpg
about 10 months ago
Rcube2cpreview.jpg
about 2 years ago
mirror privew.jpg
about a year ago
about a year ago
chair a.jpg
about 4 months ago
cstation.jpg
about a year ago
about a year ago
about a year ago
IMG2 cube.jpg
about 10 months ago
Medulla-1BLKWHT.gif
about 5 years ago
IMG5a.jpg
about 5 years ago
IMG1a.jpg
about 5 years ago
IMGspace.jpg
about 5 years ago
IMG3a.jpg
about 5 years ago
Artist+Statement+26.jpg.jpg
about 2 weeks ago

Instagram


“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
Winter/Spring work in progress photography and botanical collage series
Winter/Spring work in progress photography and botanical collage series
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
RJG Studio: Late night session
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..

@highlight
Details from two different series/albums of previous work.. @highlight
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Playing with our new Holiday Instruments.
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
This week, working on new series, Botanical Collage + Gullah text projects
This week, working on new series, Botanical Collage + Gullah text projects
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
Experimenting with SORA2
Previous series WIP
Previous series WIP
RJG Studio 9/6/25
Late night live session in the studio. Preliminary study for my Typography Botanical Collage series.
Late night live session in the studio. Preliminary study for my Typography Botanical Collage series.
Back in studio from @701cca residency
Back in studio from @701cca residency
Well.. it's about that time to reflect and share. Please feel free to stop by @701cca for my last 2 days of Open Studio within the gallery space during my Artist in Residence. The Gallery // Studio will be open this Sunday and Monday from 5pm-7pm. Br
Well.. it's about that time to reflect and share. Please feel free to stop by @701cca for my last 2 days of Open Studio within the gallery space during my Artist in Residence. The Gallery // Studio will be open this Sunday and Monday from 5pm-7pm. Bring a friend and hope to see you in the space. -Shad

Visual Artist: Devan Shimoyama

September 05, 2023

via: shimoyama

Notes:

Devan Shimoyama is a contemporary artist whose work stands out for its striking blend of vibrant colors, intricate details, and powerful themes. His art challenges conventional notions of identity, sexuality, and masculinity, offering a fresh perspective that resonates with viewers across diverse backgrounds. Shimoyama's use of bold and opulent materials, such as rhinestones and glitter, adds a layer of glamour to his pieces, drawing viewers into a world where the boundaries of reality and fantasy blur. While his work is visually captivating, some critics argue that the emphasis on aesthetics can sometimes overshadow the depth of his underlying messages.

One of the notable aspects of Shimoyama's art is his exploration of identity and self-discovery. His paintings often feature subjects adorned in elaborate costumes and makeup, suggesting a celebration of individuality and self-expression. Shimoyama's portraits exude confidence and challenge traditional gender norms, making a profound statement about the fluidity of identity in contemporary society. However, some critics argue that the focus on visual spectacle in his work may overshadow the underlying issues he seeks to address, potentially leading to a superficial interpretation of his intentions.

Furthermore, Shimoyama's use of symbolism and cultural references in his artwork is both thought-provoking and multi-layered. He draws from a wide range of sources, including African and African American culture, queer history, and pop culture, to create a rich tapestry of references. While this approach adds depth to his art, some critics suggest that it can be challenging for viewers to fully grasp the intricacies of these references without a comprehensive understanding of the cultural context. In this way, Shimoyama's work requires an engaged and informed audience to fully appreciate its nuances, which may limit its accessibility to a broader audience.

In conclusion, Devan Shimoyama's art is undeniably bold and visually captivating, pushing the boundaries of traditional artistic expression. His exploration of identity and self-discovery is both empowering and provocative, challenging societal norms and expectations. However, the heavy emphasis on aesthetics and complex cultural references in his work may pose accessibility challenges for some viewers. Nonetheless, Shimoyama's contribution to the contemporary art scene is unquestionably significant, offering a unique perspective on the evolving landscape of identity and self-expression in today's world.

- RJG

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