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Raishad J Glover

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Glover Research Archive


This page serves as a visual archive intended for research purposes on both historical and contemporary visual artists and digital designers. Visitors can also access this information on www.raishadjglover.org or the Raishad J Glover Social Media Page. Thank you for exploring and enjoy your viewing experience.

Disclaimer: Some content in the notes section has been generated by artificial intelligence.


Featured posts


Preview
IMG2 garden.jpg
about 10 months ago
Rcube2cpreview.jpg
about 2 years ago
mirror privew.jpg
about a year ago
about a year ago
chair a.jpg
about 4 months ago
cstation.jpg
about a year ago
about a year ago
about a year ago
IMG2 cube.jpg
about 10 months ago
Medulla-1BLKWHT.gif
about 5 years ago
IMG5a.jpg
about 5 years ago
IMG1a.jpg
about 5 years ago
IMGspace.jpg
about 5 years ago
IMG3a.jpg
about 5 years ago
Artist+Statement+26.jpg.jpg
about 2 weeks ago

Instagram


“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
“De Good Book L’arn Me W’at Fuh Do“ 20″ x 23″ framed digital silver print fiber, sepia toning
Winter/Spring work in progress photography and botanical collage series
Winter/Spring work in progress photography and botanical collage series
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
UNTITLED (CUBE SERIES) #2 // 20″ x 20″ matt medium, enamel paint, beeswax, watercolor, cotton paper on hemp board
RJG Studio: Late night session
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..

@highlight
Details from two different series/albums of previous work.. @highlight
Details from two different series/albums of previous work..
Details from two different series/albums of previous work..
Playing with our new Holiday Instruments.
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
(1) Title: Een Soapy Watuh, Beatrice Know; 36″ x 42″ UV curable pigment on mirror acrylic. (2) Title: Dey Hatch Dat; 20″ x 23″ framed digital silver print fiber, sepia toning @georgegalleryart
This week, working on new series, Botanical Collage + Gullah text projects
This week, working on new series, Botanical Collage + Gullah text projects
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
My wife Kiyomi let me get a hydroponic machine. The seeds I got are the Salsa compilation, tomatoes, yellow onions, cilantro, green peppers and jalapeños
Experimenting with SORA2
Previous series WIP
Previous series WIP
RJG Studio 9/6/25
Late night live session in the studio. Preliminary study for my Typography Botanical Collage series.
Late night live session in the studio. Preliminary study for my Typography Botanical Collage series.
Back in studio from @701cca residency
Back in studio from @701cca residency
Well.. it's about that time to reflect and share. Please feel free to stop by @701cca for my last 2 days of Open Studio within the gallery space during my Artist in Residence. The Gallery // Studio will be open this Sunday and Monday from 5pm-7pm. Br
Well.. it's about that time to reflect and share. Please feel free to stop by @701cca for my last 2 days of Open Studio within the gallery space during my Artist in Residence. The Gallery // Studio will be open this Sunday and Monday from 5pm-7pm. Bring a friend and hope to see you in the space. -Shad

Visual Artist: Njideka Akunyili Crosby

September 24, 2023

via: crosby

Notes:

Njideka Akunyili Crosby is an artist whose work seamlessly blends multiple cultural and personal narratives into visually stunning and emotionally resonant pieces. Her paintings often feature intricate collages of imagery and patterns, reflecting her Nigerian heritage and her experiences as a diasporic individual. Crosby's use of mixed media, including acrylic, transfers, and printmaking, adds a layer of depth to her artwork, allowing her to create rich and complex compositions that invite viewers to delve into a world where disparate elements coalesce into a cohesive whole. Moreover, her ability to fuse traditional and contemporary art techniques showcases a profound understanding of both her roots and the ever-evolving nature of artistic expression.

One of the strengths of Crosby's work lies in her masterful storytelling through art. Each piece appears to narrate a unique story or capture a specific moment in time, often exploring themes of identity, culture, migration, and the juxtaposition of different worlds. The way she seamlessly integrates intimate family photographs, historical references, and modern imagery into her works serves to challenge conventional notions of belonging and challenge the viewer to confront their own preconceptions about identity and heritage.

Crosby's art also demonstrates a remarkable skill in portraying intimacy and the interconnectedness of relationships. The way she paints figures in close proximity, often touching or embracing, imbues her works with a sense of warmth and human connection. This aspect not only adds to the emotional impact of her art but also highlights the importance of relationships, human interaction, and the shared experiences that shape us as individuals and communities. Overall, Njideka Akunyili Crosby's art is a captivating blend of personal history, cultural exploration, and artistic innovation that continues to captivate and inspire audiences around the world.

- RJG

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